• CHURCHES AND CHAPELS
  

SANTIAGO DE CALVOS PARISH CHURCH: It has a popular style, mainly from the 19th century. It is structured in three sections: the main section, the lateral one and the presbytery, in an upper situation. There are masonry walls and a semi-circular arch with great voussoirs in the façade, shaping the door with a niche above that contains the image of a saint and an oculus. There is a fine cornice as an ornamental top of the main wall, from which two twin arches with architraves spring, and a triangular pediment on the top.

CALVOS CHAPEL: It has a popular style, mainly from the 20th century. The chapel has been recently built after the demolition in the 18th century. It has a rectangular plant with a small roof on the entrance and is practically built with binding stones and concrete slabs. It has roof tiles and the narrow horizontal windows cover all the façades. There is a small belfry on the top.

SAN XOAN DE RANDÍN PARISH CHURCH: It has a popular and Baroque style and dates from the 17th and 18th centuries. It is structured in three sections: the main section, the lateral one and the presbytery, in an upper situation. There is an isodome masonry wall. There is a lintelled door framed by a fluted-ledge border that withdraws in curve angles and in the corners and a window framed with beadings and baguettes. There are small frames with three architraves in the corners and all of them end in an acroterium. Above the attic there is a thick cornice and two arches with pillars and architraves that underline sloping arches. There is a triangular pediment with a space in the centre and an oculus. It also has a masonry closing wall of 130 m with a rounded edge and sloping ends in the centre with the casting door. There are several masonry crosses on the wall that make explicit the relationship between the building and the space.

BABY JESUS CHAPEL: It has a popular style and dates from the 18th century. It has a rectangular plant with lateral baptistery and masonry walls fixed with mortar, a façade with a door framed by half a stick leaning on the angles of the lintel and windows with circular ledges as a scallop. On the corners and in the presbytery there are pyramids ended in spherical shapes and two of them in a flower. Next to the chapel there is an area of level ground and a fountain that is said to go beyond the walls.

SANTIAGO DE RUBIÁS CHURCH: It has a Romanesque and popular style and (14th and 18th centuries). There is an isodome masonry wall with a rectangular floor and a lower presbytery with rectangular apse. The façade has a lintelled door framed by a thin rounded chamfer adapted to the angles of the lintel and there is a rectangular window in the gable end. There are pseudo-Doric plain pilasters in the corners, a big curve cornice in the ramps started with volutes and a right one in the attic, a twin-arch steeple with buttresses flanked by beadings and architraves and a triangular pediment with a space in the arches and a circular hole in the centre. The apse preserves a Romanesque semicircular window with a column and archivolts. Under the eaves, there are geometric modillions.

• PAZOS
  

PAZO DOS TEJADA: It has a popular style (18th and 19th centuries) and a typical typology of the three-structure pazo connected by a suntrap that allows the access underneath. This structure becomes still more complex as some retaining walls appear in the ground courtyard and closing walls in the side part, which provide new space possibilities by appropriating three interconnected volumes as an extension of the main volume. The building and its walls, except for a restored wing, have a harmonious masonry and a lintel in a big door with an emblematic coat of arms above. There is a straight cornice in the whole main building, suntraps and some details of good-quality carpentry. There are stone benches on both sides of the main door and secondary Doors with a wood-structure cap. Together with Randín Church, this pazo is the building of the most architectonic value in the municipality.

PAZO DE RANDÍN: It has a popular style (19th century). It had a typical typology of a three-structure pazo, one of them is destroyed now. So the building consists of two L-shaped bodies with a shed to delimit the whole space. There is good masonry in the building and a suntrap in the courtyard drawn on thick pillars with capitals of geometric shapes. There are windows with a whitewashed frame, a big cornice with flutes and thick whitewash in its lower band and numerous doors, mainly the one that faces the crossroad creating the clearest façade in the whole pazo.

• HÓRREOS

HÓRREO IN RANDIN: It dates from the 20th century. It has a masonry structure with six feet as a support and intermediate laxas between the lintel and the pillar, a wooden frame, a strong cornice to end up the façade and pronounced eaves in the longitudinal façades.

HÓRREO IN RIOSECO: Dating from the 20th century, the horreo is a fundamental part of the façade of the house. It leans on the closing wall and the roof is the extension of the typical entrances. The structure is made of wood with the lattice made of the same material, all painted in indigo. There is a secondary access door below.

• CRUCEIROS

CRUCEIRO DE CALVOS

CRUCEIRO IN RANDÍN

CRUCEIRO IN PARADELA

CRUCEIRO IN VILARIÑO

FOUR CRUCEIROS IN CASTELAUS

CRUCEIRO IN VILA

CRUCEIRO IN RIOSECO

CRUCEIRO IN PADROSO

CRUCEIRO IN RUBIÁS

All of them are three-structure masonry cruceiros with two-step platforms, cubic pedestal with rounded angles, octagonal framework of poles with capital and cross. The 18th and 19th centuries are the most important ones.

• PETOS DE ÁNIMAS

PETO DE ÁNIMAS IN CALVOS

PETO DE ÁNIMAS IN VILAR

PETO DE ÁNIMAS AT CRUCE DE PADROSO

PETO DE ÁNIMAS IN FEÁS

PETO DE ÁNIMAS IN RUBIÁS

All of them have similar characteristics: a masonry platform, a prismatic structure with a window sill, another one with a niche in a semicircular arch and cymatium and a stone cross on a pedestal. The 19th century is the most important one.

• OVENS

OVENS IN RANDÍN

OVEN IN VILA

OVEN IN LOMEAR

OVEN IN RUBIÁS

OVEN IN SANTIAGO DE RUBIÁS

All of them have similar characteristics. They are usually rectangular masonry constructions. The 19th century is the most important one.

• ROADS

NOGUEIRAS: It is a masonry road on a compressed clay base. The exceptional points such as the borders of the channels have bigger stones. There is a pair of contiguous fountains carved in big stones, dating from the 19th century.

RUBIÁS: It is a masonry road on a compressed clay base, dating from the 19th century. Part of its side is delimited by the canalization wall of the mill. Now it is in a bad state because of overflowing.

• WATER MILLS

VILAR

SEROIS

 RIOSECO

 RUBIÁS

The 19th century was the most important century for this type of constructions. All of them are similar but several are ruinous. Only the mills in Vilar and Rubiás are in operation today.

• FOUNTAINS, WASHING AND WATERING PLACES

In almost all the towns that form the municipality there are fountains and washing places with similar characteristics. They are well preserved and situated in the rural centre of every town, all of them from the 20th century.

• BRIDGES

BRIDGE IN THE OUTSKIRTS OF CALVOS

BRIDGE IN THE OUTSKIRTS OF RANDÍN

BRIDGE ON THE WAY TO THE RIVER IN VILAR

BRIDGES IN RUBIÁS

• ARCHEOLOGICAL SITES
  

- TUMULI

MONTE MEAU (GOLPELLÁS)

PENOUCES (VILA)

FORNO DA TAGURRA (GOLPELLÁS)

AS LAMAS (PINTÁS)

A CHAMUSCADA (VILA)

O VISO (CASTELAUS)

OUTEIRO DAS MOAS (PARADELA)

AS REBOUCIÑAS (PADROSO)

A MOTA GRANDE (CASTELAUS)

- CASTROS

CIDADE DE SAN VITOIRO (CASTELAUS)

OUTEIRO DA CERCA (LOMEAR)

O CASTRO (RUBIÁS)

PENAS ALTAS (CALVOS)

A PICOÑA (RANDIN)